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Ariel Marcus Rosenberg also known as Ariel Pink, is an American musician, singer, and songwriter whose work draws heavily from 1970s–1980s pop radio. His lo-fi aesthetic and home-recorded albums proved influential to many indie musicians starting in the late 2000s. He is frequently cited as "godfather" of the hypnagogic pop and chillwave movements, and he is credited with galvanizing a larger trend involving the evocation of the media, sounds, and outmoded technologies of prior decades.
A native of Los Angeles, Pink began experimenting with recording songs on an eight-track Portastudio as a teenager. His early influences were artists such as Michael Jackson, the Cure, and R. Stevie Moore. The majority of his recorded output stems from a prolific eight-year period (1996–2003) in which he accumulated over 200 cassette tapes of material. Virtually all of his music released in the 2000s was written and recorded before 2004, the same year he debuted on Animal Collective's Paw Tracks label with The Doldrums (2000), followed with House Arrest (2002) and Worn Copy (2003). The albums immediately attracted a cult following.
In the 2000s, Pink's unusual sound prompted a renewed critical discussion of hauntological phenomena, for which he was a central figure. Until 2014, his records were usually credited to "Ariel Pink's Haunted Graffiti", a solo project sometimes conflated with his touring band. His fame and recognition escalated following the success of his 2010 album Before Today, his first recorded in a professional studio. Since then, he has recorded three more albums: Mature Themes (2012), Pom Pom (2014), and Dedicated to Bobby Jameson (2017). He has also collaborated with a variety of other artists.
After Pom Pom, Pink collaborated on a variety of projects by other musicians, including Weyes Blood, Dâm-Funk, Sky Ferreira, Charli XCX, Miley Cyrus, Theophilus London, the Avalanches, Puro Instinct, Lushlife, Mild High Club and MGMT. Pink and Weyes Blood jointly recorded the EP Myths 002. It was released in January 2017 on the Brooklyn-based label Mexican Summer.
Dedicated to Bobby Jameson, released in September 2017, marked Pink's first solo LP on Mexican Summer. In deliberate contrast to Pom Pom, it was recorded with a relatively small group of people at his home. The album was released to a number 193 chart peak amid generally favorable reviews. In promotional interviews, Pink intimated that his desire for attention and willingness to release albums has declined, and instead talked mostly about the musician Bobby Jameson. In November 2018, he performed among artists celebrating the tenth anniversary of Mexican Summer, where he announced on stage that he intended it to be his final show with his band.
In 2019, Mexican Summer announced that they would issue remastered and expanded editions of Pink's original Haunted Graffiti albums in addition to compilations of previously unreleased work recorded between 1999 and 2018. These remasters sought to correct various engineering mistakes from the Paw Tracks reissues, such as restoring stereo tracks that had been collapsed to mono. The label will release the albums in four quarterly installments as part of its "Ariel Archives" campaign, beginning with Odditties Sodomies Vol. 2 and remasters of Underground and Lover Boy in October 2019. The Doldrums, Worn Copy, and House Arrest followed the next April.
Pink's music encompasses a diverse selection of styles, sometimes within the same song, and espouses a postmodern take on pop music. His initial recordings blended lo-fi psychedelic pop with elements drawn from 1980s soft rock and "classic pop" from California. He likened his early records to a compendium of what he believed to be "everything good about music". Writing for Louder Than War, Maren McGlashan said that Pink typically draws from "the fuzzy glow of 1970s radio, the unapologetic weirdness of Zappa, the cool enthusiasm of New Wave and Western popular culture. At the center are the lo-fi aesthetics that have become the Haunted Graffiti speciality." Pink opined that while his own music is heavily indebted to 1960s pop, it is not classifiable in any genre.
His early recordings were amateurishly recorded on an eight-track cassette Portastudio. Since he was not a proficient instrumentalist, he usually tracked music parts one at a time in short increments. The use of cassettes lent a conspicuously lo-fi sound, which later became a deliberate aesthetic choice; he experimented with recording in professional studios and with digital audio workstations, but was dissatisfied with the results. Lyrically, he said that he is "not a poet" and that he approaches his work as "musical pieces" rather than songs, with the words usually written as an afterthought.
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